WOODSTOCK MUSEUM 21st ANNUAL FILM FESTIVAL | ||
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Woodstock Museum 2020 long descriptions
01. “R1514,The Waiting” Overview of refugee camps near Tindouf, Algeria. The Sahrawi refugee camps near Tindouf, Algeria began at the end of 1975 in one of the toughest places in the world, the Hammada, the devil’s garden. We give an overview of how they live. Thanks to their determination, Sahrawi have made a home under extreme conditions, a desert with frequent sandstorms and temperatures over 50 °C (122 Fahrenheit) in summer, with no water but rare heavy flash rainfalls that flood the camps. With the camp’s 43rd anniversary, we wanted to highlight a situation that began with the decolonization process. “R1514, the Waiting” starts with a black screen and the sound of sea waves, a reminder of what Sahrawi have lost. Images will show us their hard work in order to live with dignity and the importance of education and the position of women, both key factors in Sahrawi’s surviving in such a hard environment.The solution to end the camps should be peaceful and all nations can work toward it. Director Biography – Salvador Alemany Salvador Alemany is a news producer at the Catalonian public TV. He has worked on-site during the independence of Kosovo, Ukraine orange revolution, Venezuela coup d’état, and has covered many other breaking news events. Director Statement We did two short trips. In the first, the temperature was so high that we had to stay at midday inside the adobe houses and jaimas. I felt constantly the camera at the verge of burning. The second time, we went through a sandstorm. Lenses were affected. Moreover, the battery charger collapsed. Two batteries were damaged. The original project was impossible to fulfill. But it was not dramatic. We had the joy of living with the Sahrawi, in their homes, eating their food, just being with them. We tell the story of Sahrawi resistance and of women and education as key factors. 02. “Educate Girls” Making education more accessible for girls from India. In India, the majority of girls do not complete their primary education. “Educate Girls” is working to make education more accessible to girls by partnering with public schools, training local champions for girls’ education, and mobilizing communities to help girls achieve their full potential. Director Biography – Gabriel Diamond Gabriel Diamond started working in video at age 13 at KDOL-TV in Oakland, CA. Now he travels the world making films about people who make things better. Along with Ken Ikeda he co-founded The Factory, a filmmaking lab for Bay Area youth. Works created under his mentorship won top prizes at dozens of national festivals including an Emmy. His first feature “Less”, follows and idealistic and troubled man who has chosen to live on the streets in San Francisco. It received honorable mention for the grand jury prize at Dances With Films Festival. He shot and acted in “How To Cheat” which premiered at the LA Film Festival, and won best acting ensemble and best narrative at Bend Film Festival. In 2011 he shot a short documentary in Nepal entitled “We Are In The Field: Adventures of a 3rd World Environmental Activist.” It’s now being developed into a feature length film “All Living Things” with Jane Goodall. He’s now the staff filmmaker & photographer at the Skoll Foundation in Palo Alto. 03. “Human Applications” Reflecting on the algorithmic patterns and architectures behind biological and artificial intelligence. Are the latest innovations in Artificial Intelligence worthy of our fear or celebration as we stride into a more technologically reliant future? MareNostrum 4, the supercomputer harboured underneath a deconsecrated chapel in Barcelona, provides the perfect backdrop to the opening sequence. In the 19th century, when the church was erected, western societies broadly believed we were originated and governed by a single, divine creator. Dialogs are based on interviews with prominent voices in the field of AI (including Chris Boos, (CEO of Arago), Prof. Stuart Russel and Prof. Kevin Warwick (Professor of Robotics and the first ever self-professed human cyborg) Director Biography – Marina Landia Marina is a video and performance artist based in Berlin and London. She was a lecturer at the Institute for Art in Context, Berlin University of Arts. 04. “Out Loud” Trans Chorus of Los Angeles makes history with talent extraordinaire. The documentary film chronicles the ups and downs of the first season of the Trans Chorus of Los Angeles — the largest group of transgender and gender non-conforming people anywhere in the world who come together regularly to sing. As the choristers gear up for their 2016 public concert debut, they share their inspiring life stories and reveal what it means to be trans in America. This extraordinary chorus makes more than music. It’s making history. Director Biography – Gail Willumsen Director-producer-writer Gail Willumsen began her career at National Geographic Television, and went on to produce documentary programs for PBS (NOVA, Nature), Discovery, A&E and other outlets. She has earned two individual Emmys for writing (“Volcano!” for National Geographic Television, and “The Mummy Who Would Be King” for NOVA), an Emmy for producing and directing (“RX for Survival: A Global Health Challenge” for WGBH and Vulcan Inc.), and a Peabody award (“Black Sky: a Race for Space” for Discovery ), as well as many other accolades for her work. But the real reward, says Willumsen, “is the work itself: the incredible generosity of strangers who allow us into their lives, and trust us with their amazing stories.” Willumsen is a graduate of UCLA’s School of Theater, Film and Television with a BA and MFA in film production. In 1999, Willumsen founded Gemini Productions with producer Jill Shinefield. Gemini’s documentary and non-fiction productions have explored the kaleidoscope of human experience and achievement, from the building of Stonehenge to the marvels of spaceflight, from the burial practices of ancient peoples to the development of advanced medical technologies. Director Statement In late 2015, I spotted an article in a local newspaper announcing the creation of the first chorus for transgender and gender-nonconforming people in Los Angeles. This would be a chorus with a mission: to give voice to people who have been too long silenced. It sounded glorious, and it fairly cried out to be documented. With my producing partner Jill Shinefield, I contacted the chorus’ founders and offered to chronicle the first season of this extraordinary project. We were not the only filmmakers interested in the Trans Chorus of Los Angeles, and we considered it a great privilege when the chorus opened its doors to us. For half a year, we (myself on camera, Jill recording sound) filmed every weekly rehearsal as the singers were pushed to their limit by chorus founder and artistic director Lindsey Deaton, a trans woman with decades of classical music training. The stakes were high: at the end of the season, the chorus would have their public debut in a performance at UCLA. Over time, outside the rehearsal space, Jill and I would also compile portraits of choristers who shared their personal stories with us. The experience was transformative: it brought me close to some of the bravest, strongest and most self-realized individuals I have ever had the honor to know. The sad truth is that more Americans claim to have seen a ghost than to have met a transgender person, according to a recent survey by the Pew Research Center. Most people get their information about the trans community from film, television and other media –where trans people are most often depicted as freaks, deviants and criminals. Is it any wonder that trans individuals suffer daily discrimination and harassment, as well as disproportionate rates of violent assault, murder and suicide? With the advent of stars like Laverne Cox and shows like “Transparent”, it seems the tide, ever so slowly, is beginning to turn. I hope that in some small way, our documentary “Out Loud” can add to that momentum. I like to think of “Out Loud” as an invitation to viewers everywhere to get to know a vibrantly diverse group of singers –some younger, some older; some musically trained, some not- all united by a desire to passionately change the way others see the transgender community. Full disclosure, I don’t identify as LGBT, but I am an ally, close friend, sister, niece, and godmother to many beloved individuals who do. I’ve lived three decades in the rainbow city of West Hollywood, through the AIDS holocaust, and the fight for marriage equality. I marched for trans rights in the aftermath of the 2016 presidential election. I never want to lose another brilliant friend to HIV. I dream of a day when I won’t worry for my sister’s safety because she is married to a woman. I want to help create a future in which the trans people I have come to cherish can flourish without fear of discrimination or violence. That is the heart and soul behind the making of Out Loud. 05. Survive After a planetary cataclysm, a man struggles to survive. Director – MARC DESSUP Screenings & Awards 7th Indian Cine Film Festival-19 Philippines Russian Federation United States United States 06. “Walter Treppiedi” Con artist keeps tricking people until challenged not to lie for two minutes. Walter, a con artist, drives around the city with his sick guard dog in the back. Sometimes successful, other times less so, Walter keeps tricking people, until an acquaintance dares him to go two minutes without telling a lie. Director Biography – Elena Boiuryka Since her first approach was as an actress studying Strasberg’s Method in 2003 with Francesca de Sapio. She become a member De Fazio’s CREASTUDIO, focalising in writing and directing. In 2004 was her debut with Fausto Brizzi “Night before Exams.” In 2012, she made her first directorial short “Better You Shut Up”. The second,in 2019, is “Walter Treppiedi”. She also collaborates in casting and participated as acting-coach in Daniele Luchetti’s films “I Am Tempesta” (2017) and “Moments of Negligible Happiness”(2018). 07. “Uprooting Addiction: Healing From The Ground Up” Six recovering addicts from varying walks of life. Six recovering addicts from varying walks of life, each affected by childhood trauma, come together to share their stories, emerging from darkness through community, connection, and compassion. Interweaving these stories with up-to-the-minute accounts of collective action from an equally diverse group of activists, officials, volunteers, caregivers, and experts, “Uprooting Addiction” is a mosaic-like portrait of a single community coming together to take on one of the most urgent public health challenges of our times. Director Biography Tory Estern Jadow is a 20-year veteran of the New York City film industry. She began her career working crew on feature films, commercials, music videos, and documentaries throughout the ’80s and ’90s. After receiving an MFA in fiction writing, Jadow moved to Connecticut where she freelances as a director, cinematographer, writer, and editor. “Uprooting Addiction” is her first feature-length project as a director. 08. “Yeah! Yeah! Yeah!” Music satire on prejudice these days. Yeah! Yeah! Yeah! is a music video that uses social satire to comment on prejudice in the Trump era. Director Biography Caeser Pink is a multimedia artist best known for his work with The Imperial Orgy artist collective. Caeser is also the founder of the Arete Living Arts Foundation. 09. Panic Attack! Animation explores anxiety, obsession, and one person’s slippery hold on reality. Director Biography Eileen O’Meara is an American artist known for her hand-drawn films “Agnes Escapes from the Nursing Home” and “That Strange Person”. She received the National Endowment for the Arts Fellowship and Women in Film Foundation’s Hollywood Film & Video Grants. She has produced and directed commercial animated spots for clients including Warner Home Video, Motown, HBO, and WEA Latina. Director Statement “Panic Attack!” is a hand-drawn animation from the point of view of a woman having a panic attack. I wanted the transitions between reality and her imagined fears to be seamless, so there are no edits — it is one continually transforming drawing. 010. “Duet” Youngster living with uncle thrives on passion for music. Jacob, a kid with a tragic past is forced to move in with his uncle. Jacob attends a new school where he struggles to fit in until he meets Damien. Damien helps Jacob find his true passion through music and friendship. Director Biography John Theissen Jr. is a Long Islander born and raised. Ever since his childhood he was fascinated by film. His favorite movies are “Dark Knight”, “Big Lebowski”, and “Drive”. He won best movie and director at the Scott Bogel Film Festival (2017) which was his first film. John Theissen continues to write, direct, and act in films. Director Statement Duet was the first feature film I’ve directed. This film was a High School project that was for our advanced film class. I consider it my first proud achievement as a filmmaker! 011. “New Hampshire: Live Free and Fly” An aerial tour of the Granite State set to Redbird’s Wing by New Hampshire folk singer Bill Staines. Director Biography – Jen Hosker fell in love with drones while working as an engineer and quickly made the transition from industrial equipment test flights to aerial photography and videography. Her passion led her to start Elevated Optics LLC in 2018. Jen’s favorite part of flying is demonstrating that ordinary locations can be breathtakingly beautiful when captured from the right angle. She can often be found driving around her home state of New Hampshire, looking for interesting locations to fly. Director Statement I grew up listening to the music of New Hampshire folk singer Bill Staines on long car rides through the Granite State. His song “Redbird’s Wing” is the embodiment of what flying feels like for me. It is both the ultimate freedom of being airborne as well as the humbling realization of how small we are in nature. I had “Redbird’s Wing” playing in the background one day, while planning my next drone adventure. The combination of the lyrics and the fact that my drone is red inspired this film, capturing the different beautiful locations in my home state to share with others. 012. “Sing You A Brand New Song: The Words & Music of Coleman Mellet” Dizzy Gillespie’s daughter & others complete music of jazz guitarist who died in airplane crash. “Sing You a Brand New Song: The Words and Music of Coleman Mellett” is a testament to the power of love and music. When jazz guitarist Mellett died on February 12, 2009 at the age of 34 in the crash of Continental Airlines Flight #3407 outside Buffalo, he left behind a remarkable legacy of love and of artistic passion. He also left behind a dream in the form of an unfinished album of original songs, many written for his wife, jazz singer Jeanie Bryson. Bryson, the daughter of jazz legend Dizzy Gillespie vowed, along with “Coley’s” brother Zeb, to finish the project. Through a combination of painstaking and masterful digital extraction of thousands of musical files, and an all-star cast of musicians who lent their talents and their hearts to the project, they not only brought Coley’s vision to life, they shared with the world an unforgettable love letter of a story that shows how love and music can find light even in the darkest of times. 013. “The Seahorse Trainer” A lonely man’s passion for training seahorses. Enter the surreal and nautical world of Seamour. A lonely old man with a passion for training seahorses. Desperate to have his most prized seahorse perform the highly ambitious “Triple Back Flip”, the final day of training has come, and it’s up to his knowledge, preparation and the seahorse’s determination to see the trick come to life. But when the hourglass turns, Seamour realizes it is even harder than he thought and he must overcome his troubled past before the magic fades or the trick will never be achieved. Director Biography – Ricardo Bonisoli and Babak Bina are VFX artist based in Vancouver, Canada. They have been part of projects like Star Wars: the last Jedi, Captain Marvel, and Aquaman. In 2017 both decided to dive into the filmmaking world and started directing their first short film “The Seahorse Trainer”, a surreal narrative film with over 100 homemade VFX shots. The film premiered at the 45th Seattle International Film Festival (2019) where it received the grand jury award in its category, making the film Oscar qualified for the 2020 edition. The film has also received other awards including “best fantasy film” at Filmquest Festival and most recently, “best VFX” at the SPARK animation festival 2019. 014. “The Extractive Gaze” Nuero-marketers learn to read customer’s thoughts. Neuro-marketers learn to read customers’ thoughts. Our sensitive genetic data go into central data banks available to insurance companies. Software now recognizes us by our gait and our typing pattern as well as world-wide facial recognition. Increasingly, marketers extract data thought to be private or personal, and use it to shape our experience. This film is not limited to straight journalistic reportage. Rather it seeks to generate curiosity and discussion regarding these matters, as well as to entertain. Director Biography – Steve McGuireis Professor Emeritus at Muskingum University, with a Ph.D. in Sociology from SUNY/Stony Brook. He is co-author of Community on Land (Rowman and Littlefield) and a Past-President of the Association for Humanist Sociology. Director Statement – I used to comprehend the subject of this film as “surveillance marketing.” Increasingly I’m focusing on the way the marketing apparatus shapes and defines human experience. In producing films, I favor the arty/experimental over the straightforward and non-partisan. And for me sociology and film should aim for discussion rather than proofs designed to end discussion. 015. “Phoney Sights” Satirical critique of current social & political changes in Slovenia, Europe, and the world. A reflection of contemporary society through modified moving images. A satiric critique of the current social and political changes that are happening in Slovenia, in Europe and in the World aesthetically explored through (de)formation of landscapes and cityscapes. Phony Sights considers social and political issues, and even science when searching for an answer to the questions: Where are we? and Where are we going? Director Biography – Ana Čigon (1982) is an artist from Slovenia that creates films, video art and performances. Her projects tackle social issues, such as under-representation of women in history, LGBTIQ+ topics and marginalised social groups, pursuit of happiness, the effects of neo-liberalism on society and such. Her works often contain elements of humour and irony. She is a winner of OHO Award, finalist for the Slovenia Henkel Award and finalist of Vordemberge Gildewart Foundation Award. Her films have been presented on international film festivals worldwide, for which she received numerous nominations, two audience choice awards and three jury awards. Director Statement – I feel that important changes happened in the world since the last economic crisis. For a long time I have been wanting to make a project that would reflect this. It seems hard to know which information is important and which is not. News broadcasts and newspapers many times are not helpful either. This experimental film is my attempt to make sense of the current political affairs and construct an imagery that could represent it in a global sense. 016. “Night & Day” Marionette show tales the yarn of an uncle and nephew who never knew they were kin. Night and Day is a story of two lives, an uncle and his nephew. Neither has ever met. In fact the nephew never knew of his uncle’s existence until his own coming out to his family. These two men lived very different lives due to the time periods in which they were born. The story is uniquely told via a puppet stage and marionettes. 017. “Digits of Pi” Transcendental film inspired by Duchamp’s “Anemic Cinema.” Pi meets Duchamp in a transcendental film! Inspired by Marcel Duchamp’s “Anemic Cinema,” I set out to create a film composed within a circular frame. This circular composition led directly to using the number pi for the underlying structure. Having the digits of pi sung on the soundtrack is an homage to “Einstein on the Beach” by Philip Glass and Robert Wilson. Director Biography – Tom Bessoir , Joshua Pines – Born in New York City in 1957, Tom Bessoir attended The Bronx High School of Science and studied electrical engineering and mathematics at The Cooper Union for the Advancement of Science and Art. While at The Cooper Union, he studied filmmaking with Robert Breer, Joshua Pines, and Sandy Moore. Tom Bessoir’s experimental films often use mathematics to explore perception and the structure of film. In the arts, Tom Bessoir is best known for “Microfilm” (1979), “Digits of Pi” (2019), and his photography documenting downtown NYC. Tom and Josh met when they were both studying electrical engineering, mathematics and art at The Cooper Union. Recently they co-authored the mathematics paper “Scrabble Seven-letter Words.” 018. “Chumbak” Gal uses magnets from junk to fish coins from the sea. On the verge of losing hope of ever returning home, a young heartbroken girl finds an unorthodox way to make an income; but when she finds out her father is about to go flat-broke she must make ends meet before their fate is sealed in the city. Director Biography – Tobias Worrall, Isabelle van Hoorn We are a filmmaking couple from England (Liverpool) and Holland (Amsterdam). We met 13 years ago backpacking in Cambodia. Since then we’ve worked all types of jobs. We taught English in Thailand, planted trees in Canada, and crewed on sailboats in the Pacific. A few years ago we moved to California to study. Tobias studied filmmaking and Isabelle studied Physics. We tend to occupy opposite sides of the brain but come together creatively when we make films. Tobias was granted several scholarships during his film studies and he also received several awards for his short films in different festivals across the state California and in France. The experience we gained while traveling helps us immensely during production. We are used to things not going to plan and we are super adaptable. Director Statement – The making of our film “Chumbak” took us literally to all extremes. We wanted to challenge ourselves by combining our passion for filmmaking with our desire for adventure and traveling. We completely self funded this film and left for India with just our camera gear and our last bit of money. Before we left we had a rough idea for the narrative for the story, but we wrote the script on location. We got help with the translation as we both don’t speak a word of Hindi and the children actors do not speak any English either. 019. “The One and Only Jewish Miss America” The surprising story of Bess Myerson, talented beauty queen from the Bronx. “The One and Only Jewish Miss America” is the surprising story of Bess Myerson, the talented beauty queen from the Bronx, and how she won the world’s most famous beauty pageant 75 years ago, at the tail end of World War II. The film follows Bess, the middle daughter of poor Russian immigrants, from her childhood in a one-bedroom Jewish housing project apartment through the suspense-filled pageant. Impressed by the college-educated musician, the judges chose her in spite of anonymous threatening phone calls and sponsor disapproval of a Jewish pageant winner. On her 1945 Miss America tour, Bess faced antisemitism and closed doors at race-restricted venues which did not allow Jews. It is also a story of courage as her disappointment turned to determination, leading Bess Myerson to start her own tour to teach tolerance at high schools and colleges around the country — a tour which launched her lifelong passion for justice. Director Biography – David Arond Starting as a sound effects editor in Hollywood, David mentored with an award-winning post-production team and discovered the power of sound and music to turn visual imagery into an emotional and visceral experience. David segued into non-fiction, story telling, creating documentaries for PBS, including “Mother of the Year,” a MacArthur Foundation Award Winner. Other award-winning include “Houseboat Philosopher” and “Those Who Came Before.” His PBS TV work includes producing/directing the weekly series “On The Internet” with Leo LePorte, of Tech TV. David’s extensive international film and journalism work includes a stint in Moscow as bureau chief and broadcast journalist for Worldwide Television News, London, and Public Broadcast’s Nightly Business Report, and projects in Mexico, Brazil, Europe, Central Asia, and Australia where he worked with some of the world’s top film crews and journalists. Director Statement – I wanted to release this film on the 75th anniversary of the landmark moment when Bess Myerson, daughter of poor Jewish immigrants, rocked Atlantic City in September 1945 when she was crowned Miss America against all odds. I have been intrigued with the surprising story of how Bess — a tall skinny girl who grew up thinking she was ugly — became “The One and Only Jewish Miss America.” The story starts with Bess, growing up speaking Yiddish in the 1920s in the Bronx with her two sisters, gentle father, and very complicated mother who was determined her daughters would be educated and musical. As a concert pianist and one of the few college graduates in the 1945 Miss America pageant, Bess wowed the crowd with her talent and poise. Viewers will see how Bess’s background shaped her ambition and her passion for racial and ethnic equality. That childhood — and the crushing crucible of antisemitism — made her a leader, both during the pageant and in her later life. 020. “In the Same Direction” Story of a jazz band and what jazz can be today. From the inception of a musical idea, through the recording process and live performance, this short documentary tells the story of Jeff Pifher and his band “Socrates’ Trial”, and their idea of what jazz can be today. Director Biography – Alexander Craven’s passion for film began at a young age, watching black & white movies while his grandfather, a jazz musician, practiced every night. His credits include narrative films, commercials, tour management, and helping start a nationwide independent IP-TV network. Heavily influenced by pre-sixties and international cinema, he’s interested in cross-genre suspense stories which explore modern identity and relationships. Director Statement – Music has an intangible quality which is better experienced than explained, and Jazz is by nature improvisational. It can be among the most collaborative of mediums – one in which leaders become followers, and back again. While many documentaries have sought to capture the lifestyle of being a musician, I felt few have shown the moment-to-moment nature of playing in a band. With strong storytelling elements already present in the music of Jeff Pifher and Socrates’ Trial, whatever its genre may be, I sought not to explain but to allow the audience to celebrate in this creative musical process. The journey is in the music. 021. “Whale People: Protectors of the Sea” A Native American tribe protects whales and water. “Whale People: Protectors of the Sea” tells the story of today’s environmental emergency through the figure of the orca. Killer whales, or orcas, are a “miner’s canary” for the ocean. Their health indicates the health of the seas, the salmon stocks, the ancestral waters and lifeways of coastal Indigenous communities, and the well-being of future generations. The orca is among the most contaminated and critically endangered marine mammals in the world. From the Lummi Nation to the Tsleil-Waututh Nation, Indigenous communities in the Pacific Northwest are sounding the alarm, exposing the many threats orcas face, from outdated dams and depleted salmon stocks they depend on for food, to toxic pollution, sound pollution, and the proposed Trans Mountain Pipeline that would bring 800 new oil tankers annually to the Salish Sea. This short, experimental film features spectacular underwater footage of the orca, and the voices of Indigenous elders who communicate a message that was at the heart of the totem’s journey: what we do to the waters we do to ourselves. From the Pacific Northwest to the Gulf Coast, fossil fuel pollution and industrial development places at risk our collective natural and cultural heritage. Native communities coast to coast enjoin us all to protect, restore, and pass on to future generations a respect for each other, the sacred waters, and all our relations. Originally produced for an exhibition featured at the Florida Museum of Natural History, Whale People: Protectors of the Sea was projected as an immersive 90-foot wide floor-to-ceiling video installation. At the center of the installation was a 16 foot, 3,000 pound orca totem carved by the House of Tears Carvers of the Lummi Nation. Members of the tribe have transported the totem across the country to raise awareness about the plight of killer whale–one of the Lummi’s most revered relations. For the Lummi and many other Coast Salish tribes, killer whales are kin. Qw’e lh’ol mechen, the Lummi word for killer whale, translates to “our people that live under the sea”. In the exhibition, museum visitors were invited to lay hands on the totem, as thousands of others have on its journeys across the country. This festival will be the first occasion to bring this moving short film and the message it carries to a broader audience beyond the museum. Director Biography – Jason Jones / Not An Alternative, and The Natural History Museum. 022. “Journey to the Moon’s Navel” Animation inspired by the Monarch butterflies journey through three countries. This project was inspired by the Monarca butterfly species which, in order to survive the winter, these insects have to travel through three countries and connects them year after year. Making their departure from the canadian forests, the butterflies travel between two and three months so they can spend winter in the mexican forests to reproduce during spring and continue their life cycle. Director Biography – Diana Cruz González. After returning to Mexico, I started an animation studio, IREKANI, with a small crew of talented artists that were part of the development of the studio’s first project “Viaje al Ombligo de la Luna” (VAOL) or Journey to the Moon’s Navel. Our studio wants to develop projects concerning cultural, educational and environmental issues that are very important to modern society. |
21st Annual Woodstock Museum Film Festival Poster and Film DescriptionsTerry Britton2026-06-12T01:32:33+00:00
